| Bengaluru |
December 20, 2020 5:05:11 pm
We’ve to thank Vetri Maaran for steering his producers and colleagues in direction of making an anthology film chronicling the sins that folks commit within the identify of honour. If not for him, we could have ended up with 4 romantic tales, as a substitute of 4 gut-wrenching tales which can be well timed and related.
Vetri Maaran is true to make use of the liberty and the chance that the medium of OTT gives him to look at a topic that’s seldom addressed in mainstream cinema. A platform like Netflix permits the filmmakers to not pull punches whereas digging deep and revealing the grotesque face of violence stemming from folks’s unwillingness to acknowledge that every one human beings are born free and equal. It’s a disgrace that we’re firstly of 2021, and nonetheless, this common fact is tough to simply accept for a lot of.
Every quick movie in Paava Kadhaigal is extra disturbing than the earlier one. It’s not a straightforward watch. Under no circumstances. However, ignoring the issues that these tales deal with solely reinforces the secure bubble round us, making us extra passive and detached to the problems of casteism and bigotry which can be wrecking the lives of individuals round us.
For years, motion pictures have been merciless in relation to portraying transgender characters. And that’s why we want many years value of flicks, quick movies and documentaries like Sudha Kongara’s Thangam to rewire our perspective in regards to the LGBTQ group and our response to their points. We’d like motion pictures that remind us over and over that they too nurture wishes, ambitions and lengthy for affection. Thangam additionally exhibits what occurs when society refuses to simply accept transgender folks, which successfully denies them the security of household and the legislation, opening them to on a regular basis abuse each emotionally and bodily.
Vignesh Shivan’s Love Panna Uttranum, Gautham Vasudev Menon’s Vaanmagal and Vetrimaaran’s Oor Iravu all take care of society’s notion of how a household’s honour is instantly tied to the chastity of its feminine members. Whereas Vignesh and Gautham tiptoe across the topic with the sensibilities of mainstream filmmakers, Vetrimaaran pushes the boundaries in dehumanising those that commit murders within the identify of honour. Oor Iravu turns us right into a witness of a horror story, which is predicated on real-life incidents.
Paava Kadhaigal affords a peek on the horrors that people are able to inflicting on others within the identify of honour. And experiences like this might absolutely make us extra empathetic to the sufferings of others.
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